Join The Faces of Sarah, Last July, Chaos Bleak, The Glasshouse Museum, Gothzilla and The Vaulted Skies for the legendary All That is Divine Festival II
ATID is returning to London for a truly international day of world class gothic music. With a sets from the Faces of Sarah (featuring a legacy line up), The Last Dusk from Costa Rica, Schrödinger from Mexico, the UKs own Glass House museum and Deadlight Dance…behind the decks for an epic afterparty we have legendary DJ ZKARFACE all the way from Mexico…it will be a day to remember!
Joining The Faces of Sarah on stage as part of their 25th anniversary tour we welcome the gothic rock-metal legends from Athens, Greece, Cold Remembrance; they released their 1st album “Visions from a world apart” on January 23 , 2017 and have since played on big stages/ festivals in collaborations with bands from Greece and abroad and recently released their 2nd album “Damages”… We are excited to welcome them to play for the first time in the UK at Camden’s iconic Fiddler’s Elbow. Local legends The Ghost of Lemora will ensure this is a night to remember!
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THE FACES OF SARAH make a long-overdue return to our stage for the first time since 2021. Gothic rock of the highest caliber, topped with one of the best voices on the scene and a powerful live show.https://www.facebook.com/thefacesofsarah Fast rising post-punks with synthpop sensibilities, HURTSFALL transcend genres, and blow us away every time with their hook-laden songs and soulful vocals. We’re delighted to have them back at Carpe as special guests.https://www.facebook.com/HurtsfallUK Plus support to be confirmed. CARPE NOCTUM is the biggest and longest-running regular goth club in the north of England, and celebrated its 25th anniversary last year. Our resident
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Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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