The March Violets + Vision Video
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The March Violets
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The Deadinburgh Festival 2025: The March Violets + Zombina And The Skeletons + 1919 + Chaos 8 + Witch Of The Vale + Cold In Berlin + Gothzilla + Twisted Nerve + Voodoo Twins + A Murder Of Crows + 13th Chime + Byronic Sex & Exile + Revanica + 13 Tombs + Burning The Filth
Edinburgh’s 2 day festival dedicated to Goth Music & Culture! Taking place between The Hive Nightclub and it’s neighbour The Banshee Labyrinth.
Edinburgh
July 4
The March Violets + TBC
Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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Birmingham
July 11
The March Violets + TBC
Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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Bristol
July 12
The March Violets + TBC
Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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Brighton
July 13
The March Violets + The Faces Of Sarah + Bloodworm
Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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Leicester
July 18
The March Violets + Salvation
Play Loud, Play Purple “The slinky, savage yet warmly delicate March Violets, whose thirst for mystery, magic and brutal darkness has set them apart.” –Winston Smith, Sounds – June 18th 1983 “Fantastic, post-punk shrapnel guitar from founder member Tom Ashton… the strikingly, scary, esoteric beauty of Rosie Garland… The songs clatter and grind around the drum machine and their powerful fug fills the room.” – John Robb, Louder Than War Once Upon A Leeds, 1981. The March Violets strum their first riff and scrawl their first set list. Their impressive post-punk legacy stretches from 1980s BBC John Peel sessions, indie
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